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8 January 1836 – 25 June 1912. Most renowned painters.

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SACCHI, Andrea
Marcantonio Pasquilini Crowned by Apollo sg

ID: 09036

SACCHI, Andrea Marcantonio Pasquilini Crowned by Apollo sg
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SACCHI, Andrea Marcantonio Pasquilini Crowned by Apollo sg


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SACCHI, Andrea

Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,   Related Paintings of SACCHI, Andrea :. | The Vision of St Romuald af | Portrait of Monsignor Clemente Merlini sf | The Three Magdalenes DFY | St Francis Marrying Poverty d | Marcantonio Pasquilini Crowned by Apollo sg |
Related Artists:
Vittore Carpaccio
Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
Henryk Rodakowski
(1823-1894) was a Polish painter. He was befriended by the painter and activist Leon Kaplinski.
Hipolito Boaventura Caron
painted Arredores de Paris in 1887






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